a little girl, and she had the complexion of a child. She had a very pretty head, and her hair was arranged as nearly as possible like the hair of a Greek bust, though indeed it was to be doubted if she had ever seen a Greek bust. She was "artistic," I suspected, so far as Grimwinter allowed such tendencies. She had a soft, surprised eye, and thin lips, with very pretty teeth. Round her neck she wore what ladies call, I believe, a "ruche," fastened with a very small pin in pink coral, and in her hand she carried a fan made of plaited straw and adorned with pink ribbon. She wore a scanty black silk dress. She spoke with a kind of soft precision, showing her white teeth between her narrow but tender-looking lips, and she seemed extremely pleased, even a little fluttered, at the prospect of my demonstrations. These went forward very smoothly, after I had moved the portfolios out of their corner and placed a couple of chairs near a lamp. The photographs were usually things I knew,—large views of Switzerland, Italy, and Spain, landscapes, copies of famous buildings, pictures, and statues. I said what I could about them, and my companion, looking at them as I held them up, sat perfectly still, with her straw fan raised to her under-lip. Occasionally, as I laid one of the pictures down, she said very softly, "Have you seen that place?" I usually answered that I had seen it several times (I had been a great traveller), and then I felt that she looked at me askance for a moment with her pretty eyes. I had asked her
