self-confident crowd that the theatre in its present state is an education. But not a man who knows what true education is would swallow this. I don't know what it may be in fifty or a hundred years, but under present conditions the theatre can only be a recreation. But the recreation is too expensive for continual use, and robs the country of thousands of young, healthy, gifted men and women, who if they had not devoted themselves to the theatre would be excellent doctors, farmers, schoolmistresses, or officers. It robs the public of its evenings, the best time for intellectual work and friendly conversation. I pass over the waste of money and the moral injuries to the spectator when he sees murder, adultery, or slander wrongly treated on the stage.
But Katy's opinion was quite the opposite. She assured me that even in its present state the theatre is above lecture-rooms and books, above everything else in the world. The theatre is a power that unites in itself all the arts, and the actors are men with a mission. No separate art or science can act on the human soul so strongly and truly as the stage; and therefore it is reasonable that a medium actor should enjoy much greater popularity than the finest scholar or painter. No public activity can give such delight and satisfaction as the theatrical.
So one fine day Katy joined a theatrical company and went away, I believe, to Ufa, taking
