the latter I know not a few who cannot see his many merits clearly because of his eccentricities.
As he walks in he slowly removes his gloves and says in his velvety bass:
"How do you do? Drinking tea. Just in time. It's hellishly cold."
Then he sits down at the table, takes a glass of tea and immediately begins to talk. What chiefly marks his way of talking is his invariably ironical tone, a mixture of philosophy and jest, like Shakespeare's grave-diggers. He always talks of serious matters; but never seriously. His opinions are always acid and provocative, but thanks to his tender, easy, jesting tone, it somehow happens that his acidity and provocativeness don't tire one's ears, and one very soon gets used to it. Every evening he brings along some half-dozen stories of the university life and generally begins with them when he sits down at the table.
"O Lord," he sighs with an amusing movement of his black eyebrows, "there are some funny people in the world."
"Who?" asks Katy.
"I was coming down after my lecture to-day and I met that old idiot N on the stairs. He walks along, as usual pushing out that horse jowl of his, looking for some one to bewail his headaches, his wife, and his students, who won't come to his lectures. 'Well,' I think to myself, 'he's seen me. It's all up—no hope for me . . . '"
