Page:The Blacker the Berry - Thurman - 1929.djvu/180

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172
THE BLACKER THE BERRY . . .

phony, then the long, supple fingers evolved a slow, tantalizing melody out of the deafening chaos.

Every one began to dance again. Body called to body, and cemented themselves together, limbs lewdly intertwined. A couple there kissing, another couple dipping to the floor, and slowly shimmying, belly to belly, as they came back to an upright posi- tion. A slender dark girl with wild eyes and wilder hair stood in the center of the room, supported by the strong, lithe arms of a longshoreman. She bent her trunk backward, until her head hung below her waistline, and all the while she kept the lower portion of her body quivering like jello.

“She whips it to a jelly,” the piano player was singing now, and banging on the keys with such might that an empty gin bottle on top of the piano seemed to be seized with the ague. “Oh, play it Mr. Charlie.” Emma Lou grew limp in Alva’s arms.

“What’s the matter, honey, drunk?” She couldn’t answer. The music augmented by the general atmosphere of the room and the liquor she had drunk had presumably created another person in her stead. She felt like flying into an emotional frenzy—felt like flinging her arms and legs in insane unison. She had become very fluid, very elastic, and all the while she was giving in more and more to the music and to the liquor and to the physical madness of the moment.