Page:The Case of Charles Dexter Ward - Lovecraft - 1971.pdf/43

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windows rattled as its echoes died away. It was deep and musical; powerful as a brass organ, but evil as the forbidden books of the Arabs. What it said no man can tell, for it spoke in an unknown tongue, but this is the writing Luke Fenner set down to portray the demoniac intonations: "DEESMEES—JESHET—BONEDOSEFEDUVEMA—ENTTEMOSS." Not till the year 1919 did any soul link this crude transcript with anything else in mortal knowledge, but Charles Ward paled as he recognised what Mirandola had denounced in shudders as the ultimate horror among black magic's incantations.

An unmistakably human shout or deep-chorused scream seemed to answer this malign wonder from the Curwen farm after which the unknown stench grew complex with an added odour equally intolerable. A wailing distinctly different from the scream now burst out, and was protracted ululantly in rising and falling paroxysms. At times it became almost articulate, though no auditor could trace any definite words; and at one point it seemed to verge toward the confines of diabolic and hysterical laughter. Then a yell of utter, ultimate fright and stark madness wrenched from scores of human throats; a yell which came strong and clear despite the depth from which it must have burst; after which darkness and silence ruled all things. Spirals of acrid smoke ascended to blot out the stars, though no flames appeared, and no buildings were observed to be gone or injured on the following day.

Toward dawn two frightened messengers with monstrous and unplaceable odours saturating their clothing knocked at the Fenner door and requested a keg of rum for which they paid very well indeed. One of them told the family that the affair of Joseph Curwen was over, and that the events of the night were not to be mentioned again. Arrogant as the order seemed, the aspect of him who gave it took away all resentment and lent it a fearsome authority; so that only these furtive letters of Luke Fenner, which he urged his Connecticut relative to destroy, remain to tell what was seen and heard. The non-compliance of that relative, whereby the letters were saved after all, has alone kept the matter from a merciful oblivion. Charles Ward had one detail to add as a result of a long canvass of Pawtuxet residents for ancestral traditions. Old Charles Slocum of that village said that there was known to his grandfather a queer rumour concerning a charred, distorted body found in the fields a week after the death of Joseph Curwen was announced. What kept the talk alive was the notion that this

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