nervous as from some internal fiery force. His hands were big and ugly, and always in ungraceful fumbling motion as though a separate soul dwelt within them.
The heaped-up curly profusion of his brown wig gave a weird impression to the spread of his mobile features. His eagle-beaked nose had three distinct lines and angles. His chin was broad and bold, and his brows beetling and projecting. His mouth was wide, marked and grim; when opened, deep and cavernous; when closed, it seemed to snap so tightly that the lower lip protruded.
Of all his make-up, his eye was the most fascinating, and it held Ben spellbound. It could thrill to the deepest fibre of the soul that looked into it, yet it did not gleam. It could dominate, awe, and confound, yet it seemed to have no colour or fire. He could easily see it across the vast hall from the galleries, yet it was not large. Two bold, colourless dagger-points of light they seemed. As he grew excited, they darkened as if passing under a cloud.
A sudden sweep of his huge ape-like arm in an angular gesture, and the drollery and carelessness of his voice were driven from it as by a bolt of lightning.
He was driving home his message now in brutal frankness. Yet in the height of his fiercest invective he never seemed to strengthen himself or call on his resources. In its climax he was careless, conscious of power, and contemptuous of results, as though as a gambler he had staked and lost all and in the moment of losing suddenly become the master of those who had beaten him.
His speech never once bent to persuade or convince. He meant to brain the opposition with a single blow, and
