literary agencies—for we have a surfeit of these already. The aim of The Craftsmanship of Writing is nothing more pretentious than to help would-be writers to reach a somewhat saner, more logical understanding of the real nature of the profession they are entering upon, both on its technical and its artistic side; to discount its delays and disappointments; and above all, to learn to help themselves by intelligent self-criticism. For it is a somewhat curious fact that there is no other line of intellectual work in which a man or a woman may remain, through months and years, so fundamentally ignorant of his or her real worth.
Now the reason why a struggling author may waste years of misdirected effort, without knowing just how good or bad his productions really are, is not difficult to explain. The sources of any workman's knowledge of his worth are
