such refinements of science as, though sound in theory, may possibly produce errors in practice.
"Tantæ molis erat Cricetanum condere Campum."
For our artist we have one word to say: not indeed for the engravings in our frontispiece,—these having received unqualified approbation; but, we allude to the illustrations of attitudes. In vain did our artist assure us that a fore-shortened position would defy every attempt at ease, energy, or elegance; we felt bound to insist on sacrificing the effect of the picture to its utility as an illustration. Our principal design is to show the position of the feet and bat with regard to the wicket, and how every hit, with one exception, the Cut, is made by no other change of attitude than results from the movement of the left foot alone.
Barnstaple
April 15th, 1851.
