starting as it had done in an act of violence, could only be accomplished by acts of violence and nothing else—that the oldest "State" appear
ed consequently as a ghastly tyranny, a grinding ruthless piece of machinery, which went on working, till this raw material of a semi-animal populace was not only thoroughly kneaded and elastic, but also moulded. I used the word "State"; my meaning is self-evident, namely, a herd of blonde beasts of prey, a race of conquerors and masters, which with all its war-like organisation and all its organising power pounces with its terrible claws on a population, in numbers possibly tremendously superior, but as yet formless, as yet nomad. Such is the origin of the "State." That fantastic theory that makes it begin with a contract is, I think, disposed of. He who can command, he who is a master by "nature," he who comes on the scene forceful in deed and gesture—what has he to do with contracts? Such beings defy calculation, they come like fate, without cause, reason, notice, excuse, they are there as the lightning is there, too terrible, too sudden, too convincing, too "different," to be personally even hated. Their work is an instinctive creating and impressing of forms, they are the most involuntary, unconscious artists that there are:—their appearance produces instantaneously a scheme of sovereignty which is live, in which the functions are partitioned and apportioned, in which above all no part is received or finds a place, until pregnant with a "meaning" in regard to the whole. They are ignorant of the meaning of guilt, responsibility, consideration, are these born organisers; in them predominates that terrible artist-egoism, that gleams like brass, and that knows itself justified
