brated cosmogony was found,[1] in which an astronomical system was developed that would be an honour to our century, touching the plurality of the worlds, the station of the sun at the centre of the universe, and the habitation of the stars.[2] These extraordinary works emanated from the same genius who had written in verse upon grammar, music, natural history, upon the antiquities of the many isles of Greece, upon the interpretation of signs and prodigies, and a mass of other subjects, the details of which one can see in the commencement of the Argonautica of Onomacritus, which is attributed to him.
But at the same time that Orpheus opened thus to his successor two very distinct careers, theosophical and philosophical, he did not entirely neglect the other parts of this science: his hymns and his odes assigned him to a distinguished rank among the lyric poets; his Démétréïde presaged the beauties of Epopœia, and the representations full of pomp, that he introduced into his mysteries, gave birth to Greek Melopœia whence sprang dramatic art. He can therefore be regarded, not only as the precursor of Hesiod and Epimenides, but even as that of Homer, Æschylus, and Pindar. I do not pretend, in saying this, to take away anything from the glory of these celebrated men: the one who indicates a course, yields to the one who executes it: now this, especially, is what Homer did.
§ III
Homer was not the first epic poet in the order of time, but in the order of things. Before him many poets were skilled in Epopœia; but no one had known the nature
