Page:The Grateful Dead.djvu/162

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146
The Grateful Dead.

degenerate and literary Straparola II.[1] though the method by which the enchanted princess was won in that variant was different from that given in the present group.

Within the group there are minor differences with reference to the manner of unspelling the princess, which resolve themselves either, on the one hand, into the hero's keeping or obtaining something for her, or, on the other, into his guessing the object of her thoughts. These details are not, however, of much importance for the purpose in hand, though they might become so if an attempt were made to sub-divide the group. Thus Esthonian II. is decidedly unusual in its treatment of the matter just mentioned. Irish I. has traces of the Sword of Light[2] and of The Two Friends.[3] In Harz I. the hero himself follows the princess instead of leaving the actual work of unspelling to the helper, as is elsewhere the case. Irish II., finally, is peculiar not only in bringing in The Water of Life, as mentioned above, but also the motive of The Skilful Companions, which we have already met with in Sicilian and Harz II.[4]

Irish II. is, indeed, of great importance to our study at this point. It is in some way a link between Sicilian and Harz II. and the subdivision now under discussion. Furthermore, the fact that Straparola II. has some traits of The Lady and the Monster in common with all the members of the group under consideration shows that it can safely be placed in the same category as Sicilian and Harz II. Though the feats by which the princess is won are somewhat different in the last-named variants from the feats in Straparola II. on the one hand and in the compound The Grateful Dead + The Poison Maiden + The Water of Life (The Lady and the Monster) on the other, there can be little doubt, it seems

  1. See p. 134.
  2. See p. 133, note 2.
  3. See pp. 92 ff. above, and pp. 156-158 below.
  4. With the form The Grateful Dead + The Water of Life simply.