of The Ransomed Woman will appear as we consider the compound type, which contains folk-tales almost exclusively, as was the case with the type studied in the previous chapter, but in most cases from Western Europe instead of from both Asia and Europe.
Nineteen variants have The Grateful Dead and The Ransomed Woman combined in a comparatively simple form without admixture with related themes. These are: Servian I., Lithuanian I. Hungarian II., Transylvanian, Catalan, Spanish, Trancoso, Nicholas, Gasconian, Straparola I., Istrian, Gaelic, Breton III. Swedish, Norwegian I., Icelandic I. and II., and Simrock IV. and VI.
In Servian I. a merchant's son, while on a journey, ransoms a company of slaves whom he finds in the hands of freebooters. Among them is a beautiful maiden with her nurse. He marries the lady, who proves to be the daughter of an emperor. On a second voyage he ransoms two peasants, who have been imprisoned for not paying their taxes to the emperor. On his third journey he comes to his father-in-law's court, and is sent back for his wife. He is, however, cast into the sea by a former lover of the princess, and succeeds in getting ashore on a lonely island, where he remains for fifteen days and fifteen nights. Then an angel in the disguise of an old man appears to him, and, on condition of receiving half of his possessions, brings him to court, where he is
Johannes Junior (Gobius), under Castitas. Hippe, as shown by his scheme on p. 181, places this under "Legendarische Formen mit Loskauf." As a matter of fact, it is plainly a specimen of The Calumniated Woman.
- Hippe's "Lithuanian II."
- Breton III., though placed here, has peculiar traits, which require special consideration.
- Köhler, followed by Hippe, p. 145, makes the hero live for fifteen years on the island, while Mme. Mijatovich gives the time as stated. As I have no knowledge of Servian, I cannot tell which is in the right. Hippe's analysis is otherwise faulty.