"Are you in love with me," she said low in my ear, "or why did I have to come alone?"
"That's the secret of Castle Rackrent. Tell your chauffeur to go far away and spend an hour."
"Come back in an hour, Ferdie." Then in a grave murmur: "His name is Ferdie."
"Does the gasoline affect his nose?"
"I don't think so," she said innocently. "Why?"
We went in. To my overwhelming surprise the living-room was deserted.
"Well, that's funny," I exclaimed.
"What's funny?"
She turned her head as there was a light dignified knocking at the front door. I went out and opened it. Gatsby, pale as death, with his hands plunged like weights in his coat pockets, was standing in a puddle of water glaring tragically into my eyes.
With his hands still in his coat pockets he stalked by me into the hall, turned sharply as if he were on a wire, and disappeared into the living-room. It wasn't a bit funny. Aware of the loud beating of my own heart I pulled the door to against the increasing rain.
For half a minute there wasn't a sound. Then from the living-room I heard a sort of choking murmur and part of a laugh, followed by Daisy's voice on a clear artificial note:
"I certainly am awfully glad to see you again."
A pause; it endured horribly. I had nothing to do in the hall, so I went into the room.
Gatsby, his hands still in his pockets, was reclining against the mantelpiece in a strained counterfeit of perfect ease, even of boredom. His head leaned back so far that it rested against the face of a defunct mantelpiece clock, and from this position his distraught eyes stared down at Daisy, who was sitting, frightened but graceful, on the edge of a stiff chair.
"We've met before," muttered Gatsby. His eyes glanced mo-
