II. WHAT THE MIDDLE AGES READ
THE history of English literary criticism may be said to begin with Sir Philip Sidney's "Defense of Poesy."[1] A few treatises on rhetoric and prosody preceded it, but it was with this book that there reached England the first important influx from the main current of the Italian and French criticism of the Renaissance. In the preceding centuries men had, of course, expressed opinions about books; but these were random and personal, backed by no theory, part of no system, the casual utterances of men who merely knew what they liked.
THE EVIDENCE AS TO MEDIÆVAL TASTE IN LITERATURE
But the taste of an age can be inferred from other sources than the formal judgments of official critics. The evidence of vogue, when it can be obtained, is more significant, for the obvious reason that a man's spending tells us more than his words of what he values. For the centuries when books circulated in manuscript only, the facts as to popularity are hard to get at, since the numbers of those that have survived are the residuum of a thousand accidents; but the introduction of printing in the latter part of the fifteenth century affords an opportunity of an exceptional kind to learn which of the works then in existence were judged most promising and most worthy of the wider publicity which the new process made possible. It is for this reason that William Caxton, the first of English printers, is really an important figure in the history of literary opinion; for not only did he preface the books he printed with quaint and ingenuous statements of his own reasons for thinking them important, but the mere fact of his choosing them is a valuable evidence of their popularity as estimated by a shrewd man of business.
- ↑ Harvard Classics, xxvii, 5-51; and cf. Professor Bliss Perry's lecture on "Theories of Poetry" in this series.
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