whole countryside. They are the quintessence of many lives and passions made into a sweet cup for posterity. A myriad hearts and voices have in age after age poured themselves into the few notes and words. Doubtless, the old singers were not content, but we, who know them not, can well see in their old songs a kind of immortality for them in wanderings on the viewless air. The men and women—who hundreds of years ago were eating and drinking and setting their hearts on things—still retain a thin hold on life through the joy of us who hear and sing their songs, or tread their curving footpaths, or note their chisel marks on cathedral stones, or rest upon the undulating churchyard grass. The words, in league with a fair melody, lend themselves to infinite interpretations, according to the listener's heart. What great literature by known authors enables us to interpret thus by virtue of its subtlety, ballads and their music force us to do by their simplicity. The melody and the story or the song move us suddenly and launch us into an unknown. They are not art, they come to us imploring a new lease of life on the sweet earth, and so we come to give them something which the dull eye sees not in the words and notes themselves, out of our own hearts, as we do when we find a black hearthstone among the nettles, or hear the clangour of the joyous wild swan, invisible overhead, in the winter dawn.
In the parlour of the inn the singer stood up and sang of how a girl was walking alone in the meadows of spring when she saw a ship going out to sea and heard her true love crying on board; and he sailed to the wars and much he saw in strange countries, but never came back;
