weighing the city against the heavens in an enormous balance with Rhadamanthine solemnity.
Endless were the vast caves and deserts of the streets, most strange the unobserved, innumerable things prepared for the eyes of men on the coming day—glittering windows of cutlery, food, drugs, sadlery—the high walls with coloured advertisements of beer, medicine, food, actors, newspapers, corsets, concerts, pickles. The dark windows, the windows lit to serve some purpose unknown, seemed to make it necessary to cry out, to raise an alarm, to make sure that the darkness or light meant only the usual things. Now and then several streets ran towards one another and left a square or irregular space at their meeting, surrounded by an inn with a sign, a stone trough, an old eighteenth-century house, its windows emphasised by white paint, a row of pollarded limes, a scrap of orchard—once perhaps the heart of a village. Or for almost a mile the streets ran straight, with branches at right angles, and suddenly a large house stood back and its garden of limes and lawn broke the monotone. The names of the streets were an epitome of the world and time, commemorating famous and unknown men, battles, conspiracies, far-off cities and rivers, little villages known to me, streams and hills now buried by houses; the names of the inns were as rich as the titles of books in an old library, suggested many an inn by wood and mill and meadow and village square, but all confused as if in a marine store. And as I walked through old and new villages, rents, courts, alleys, lanes, rises, streets, buildings, roads, avenues, I seemed to be travelling through the Inferno and Purgatorio, but before
