The sphinxes which guarded the entrance of the palace of Eyuk and the avenue which led up to them bear unmistakable testimony to the influence of Egyptian art upon its builders. They take us back to a period when the Hittites of Kappadokia were in contact with the people of the Nile, and thus confirm the evidence of the Egyptian records. There must have been a time when the population of distant Kappadokia held intercourse with that of Egypt, and this time, as we learn from the Egyptian monuments, was the age of Ramses II. It is perhaps not going too far to assume that the palace of Eyuk was erected in the 13th century before our era, and is a relic of the period when the sway of the Hittite princes of Kadesh or Carchemish extended as far north as the neighbourhood of the Halys. It is indeed possible that the palace was originally the summer residence of the kings whose homes were in the south. The plateau on which Eyuk and Boghaz Keui stand is more than 2000 feet above the level of the sea, and the winters there are intensely cold. From December onwards the ground is piled high with snow. It is well known that the descendants of races which have originally come from a cold climate endure the heats of a southern summer with impatience; and the same causes which make the English rulers of India to-day retire during the summer to the mountain heights, may have made the Hittite lords of Syria build their summer palace in the Kappadokian highlands.
The sculptures of Boghaz Keui belong to a somewhat later date than those of Eyuk. Boghaz Keui is five hours to the south-west of Eyuk, and marks the site of a once populous town. A stream that runs past
