been at ease had she missed either prayer, singing, sermon, or benediction,—after church-time, therefore, there was, ordinarily, a sober little festival in the garden. In addition to Clifford, Hepzibah, and Phœbe, two guests made up the company. One was the artist, Holgrave, who, in spite of his consociation with reformers, and his other queer and questionable traits, continued to hold an elevated place in Hepzibah's regard. The other, we are almost ashamed to say, was the venerable Uncle Venner, in a clean shirt, and a broadcloth coat, more respectable than his ordinary wear, inasmuch as it was neatly patched on each elbow, and might be called an entire garment, except for a slight inequality in the length of its skirts. Clifford, on several occasions, had seemed to enjoy the old man's intercourse, for the sake of his mellow, cheerful vein, which was like the sweet flavor of a frost-bitten apple, such as one picks up under the tree in December. A man at the very lowest point of the social scale was easier and more agreeable for the fallen gentleman to encounter than a person at any of the intermediate degrees; and, moreover, as Clifford's young manhood had been lost, he was fond of feeling himself comparatively youthful, now, in apposition with the patriarchal age of Uncle Venner. In fact, it was sometimes observable that Clifford half-wilfully hid from himself the consciousness of being stricken in years, and cherished visions of an earthly future still before him; visions, however, too indistinctly drawn to be followed by disappointment—though, doubtless, by depression—when any casual incident or recollection made him sensible of the withered leaf.
So this oddly-composed little social party used to assemble under the ruinous arbor. Hepzibah—stately as ever at heart, and yielding not an inch of her old gentility, but resting upon it so much the more, as justifying a princess-like condescension—exhibited a not ungraceful hospital-
