every way and never gave any trouble, just as she had been trained by her own good mother, so that the Lady Terute had no cause for complaint against her.
The little Princess was very diligent, and her favourite studies were music and poetry. She would spend several hours practising every day, and her father had the most proficient of masters he could find to teach her the koto (Japanese harp), the art of writing letters and verse. When she was twelve years of age she could play so beautifully that she and her step-mother were summoned to the Palace to perform before the Emperor.
It was the Festival of the Cherry Flowers, and there were great festivities at the Court. The Emperor threw himself into the enjoyment of the season, and commanded that Princess Hase should perform before him on the koto, and that her mother Princess Terute should accompany her on the flute.
The Emperor sat on a raised daïs, before which was hung a curtain of finely-sliced bamboo and purple tassels, so that His Majesty might see all and not be seen, for no ordinary subject was allowed to look upon his sacred face.
Hase-Hime was a skilled musician though so young, and often astonished her masters by her wonderful memory and talent. On this momentous occasion she played well. But Princess Terute, her step-mother, who was a lazy woman and never took the trouble to practise daily, broke down in her accompaniment and had to request one of the Court ladies to take her place. This was a great disgrace, and she was furiously jealous to think that she had failed where her stepdaughter succeeded; and to make matters worse the Emperor
