the characters, were almost wholly those of Chivalry, that bond which united the warriors of France, Spain, and Italy, with those of pure Teutonic descent, and embraced more or less firmly all the nations of Europe, excepting only the Slavonic races, not yet risen to power, and the Celts, who had fallen from it. It is not difficult to account for this latter omission. The Celts, driven from the plains into the mountains and islands, preserved their liberty, and hated their oppressors with fierce, and not causeless, hatred. A proud and free people, isolated both in country and language, were not likely to adopt customs which implied brotherhood with their foes.
Such being the case, it is remarkable that when the chief romances are examined, the name of many of the heroes and their scenes of action are found to be Celtic, and those of persons and places famous in the traditions of Wales and Brittany. Of this the romances of Ywaine and Gawaine, Sir Perceval de Galles, Eric and Enide, Mort d'Arthur, Sir Lancelot, Sir Tristan, the Graal, &c., may be cited as examples. In some cases a tendency to triads, and other matters of internal evidence, point in the same direction.
It may seem difficult to account for this. Although the ancient dominion of the Celts over Europe is not without enduring evidence in the names of the mountains and streams, the great features of a country, yet the loss of their prior language by the great mass of the Celtic nations in Southern Europe (if indeed their successors in territory be at all of their blood), prevents us from clearly seeing, and makes us wonder, how stories, originally embodied
