few things which have not their disadvantages. Elaborate execution is a considerable merit if it is reserved for the chief parts of a work; but if it is uniformly lavished on all the accessory parts also, the whole produces, I fear, a monotonous effect.
I have said that satire is, in my opinion, the special characteristic of Gogol's talent: he does not see men or things in a bright light. That does not mean that he is an unfaithful observer, but his descriptions betray a certain preference for the ugly and the sad elements in life. Doubtless these two disagreeable elements are only too easily found, and it is precisely for that reason that they should not be investigated with insatiable curiosity. We would form a terrible idea of Russia—of "Holy Russia," as her children call her—if we only judged her by the pictures which Gogol draws. His characters are almost entirely confined to idiots, or scoundrels who deserve to be hung. It is a well-known defect of satirists to see everywhere the game which they are hunting, and they should not be taken too literally. Aristophanes vainly employed his brilliant genius in blackening his contemporaries; he cannot prevent us loving the Athens of Pericles.
Gogol generally goes to the country districts for his characters, imitating in this respect Balzac, whose writings have undoubtedly influ-
