of the thing that succeeds as good, and therefore the man whose books sell by the hundreds of thousands is looked up to with respect. If success is the standard of measurement how can we do anything else?
It happens, however, that the arts are not democratic, never have been, and probably never will be. There is a nigger in the woodpile. The ordinary standards of measurement do not quite work. We all have a vague feeling there is something very much wrong. There is.
Let us look at the situation a moment. If you are a man conducting a magazine that has a circulation of hundreds of thousands, or if you are a movie magnate owning a business in which there is a huge initial investment, you have to be pretty careful about treading on toes, do you not? Your readers or patrons must not be offended or driven away. You are appealing, must of necessity ap-
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