craft. In certain fields it is very difficult. In the theatre, for example, the artist, to work at all, has to have an expensive equipment. There is needed a large investment and money doesn't like to take chances. It is much safer when the theater wants to be artistic to run into Belasco realism, bring a Child's restaurant onto the stage or have a real automobile cross the stage at thirty miles an hour—something of that sort, some stunt, is safer when large sums of money have to be spent.
However, the workman in words or in color has a better chance. If, for example, I can make my living by going somewhere and delivering a dull sermon, something like this, to a lot of good-natured patient people, or by working six months of the year in an advertising agency writing soap advertisements, I can perhaps save enough money to write disregarding the magazines for another
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