might be saved for the doing of good work in the arts if the whole situation could be clearly stated. Too often the younger man or woman who has talent does not get the situation in hand until he is too old to save himself. We have all been brought up with the notion, firmly planted in us, that to succeed in a material sense is the highest end for a life. Our fathers tell us that. Often our mothers tell us so. Schools and universities often enough teach the same lesson. We hear it on all sides and when we are young and uncertain our very youthful humbleness often enough betrays us. Are we to set ourselves up against the opinions of our elders? How are we to know that truth to ourselves, to the work of our own hands, to our own inner impulses, is the most vital thing in life? It has become almost a truism here in America that no man does good work in the arts until he is past forty. Nearly all the
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