Page:The New Forest - its history and its scenery.djvu/26

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The New Forest: its History and its Scenery.

England—and I am glad to think so,—it gives, more than any other place, a far greater range of subject, in sea, and moor, and valley; because too, the traveller can here go where he pleases, without any of those lets and hindrances which take away so much pleasure; and, lastly, because here can best be seen Nature's crown of glory—her woods.

And, first, for a few words of general bearing upon this point. I do not think we ever estimate the woods highly enough, ever know their real worth, until we find some favourite retreat levelled to the ground, and then feel the void and irreparable blankness which is left. Consider, too, the use which Nature makes of her woods, either softening the horrors of the precipice, or adorning spaces which else would be utterly without interest, or adding beauty to beauty. Consider, further, how she beguiles us when we are in them, leading us forward, each little rise appearing a hill, because we cannot see its full extent; how, too, the paths close behind us, shutting us out with their silent doorways from all noise and turmoil, whilst the soft green light fills every dim recess, and deepens each pillared aisle, the floor paved with the golden mosaic of the sunlight.

For all these things is it that the woods have been, since the beginning of the world, the haunt of the flowers, the home of the birds, and the temple of man. The haunt of the flowers, I say, for in the early spring, before the grass is yet green in the meadows, here they all flock—white wood-anemones, sweet primroses, sweeter violets, and hyacinths encircling each stem with their blue wreaths. The home of the birds; for when the leaves at last have come, each tree is filled with song, and the underwood with the first faint chirping of the nestlings learning their earliest notes. As a temple for man, have they not been so since the world began? Taught by their tender beauty, and

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