PREFACE
I have gathered into this volume some early brevities, the third in order of which dates from further back than any tale comprised in the Edition. The first in order appeared considerably later, but I have given it precedence in this group by reason of its greatest length. It is the most recent in the list, but, as having originally (in the good old days, though they are as yet none so remote, of "pleasant" publication) enjoyed the honour of two pretty little volumes "all to itself," it falls into the category of Shorter Novels—under an indulgence not extended to several of its compeers. "The Reverberator," which figured at birth (1888) in half a dozen numbers of "Macmillan's Magazine" may be described, I suppose, beyond any fiction here reproduced, as jeu d'esprit: I can think at least of none other on the brow of which I may presume to place that laurel. And yet as I cast about me for the nameable grounds of the hospitality I thus give it I find myself think of it in other rich lights as well; quite in the light of an exemplary anecdote, and at the same time quite in that of a little rounded drama. This is to press hard, it might seem, on so slight a composition; but I brave the extravagance under the interest of recognising again how the weight of expatiation is ever met in such cases—that of the slender production equally with that of the stout—by a surface really much larger than the mere offered face of the work. The face of the work may be small in itself, and yet the surface, the whole thing, the associational margin and connexion, may spread, beneath the fond remembering eye, like nothing more noble than an insidious grease-spot. It is of the essence of the anecdote to get itself told as it can—which truth represented clearly the best chance of life for the matter involved in "The Reverberator"; but also it is of the essence of the drama to conform to logic, and the
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