under lock and key, and reasonable precautions should be taken not to leave temptation in the way of a chance passer-by. The best safeguard is for the church to be well used; and abroad very few precautions are found necessary. The people will gradually learn to use the church, if they are given the chance, and not prevented from saying their prayers by the churlishness of the parson. It is more important that the church should be open than that it should be adorned with valuable things. In some parishes voluntary watchers can be obtained; in others two or three old people can be provided with a pension as payment for a few hours’ watch every day. Watchers should be instructed not to follow strangers about, nor to eye them suspiciously, nor to address them on the chance of tips.
Gothic architecture is most beautiful, when it is true, as the modern imitations of it hardly ever are; but it was only in use during four centuries of the Christian era, and is therefore not more ecclesiastical than other forms of architecture. In Gothic, as in all other times, the church builders simply used the current style that was in use for secular buildings as well. The parson should not try to tie down the architect to any popular ideas as to what is ecclesiastical—which is, indeed, just the reverse of the whole Gothic spirit. Shoddy Gothic is the most hideous of all architecture, because corruptio optimi pessima. In medieval, as in all other Christian times, architecture and all forms of decoration were free, although symbolism was so intensely appreciated. Even frontals and vestments were made without any regard to the supposed ecclesiastical character of their materials, birds, beasts, flowers, and heraldic devices being freely used.[1] Because the significance of symbolism
- ↑ E.g. the inventory of Lincoln Cathedral for 1536 enumerates the following designs worked on the vestments (they are tabulated by Mr. Macalister in his Ecclesiastical Vestments)’.—Leopards, harts,
