still be traced, and that there are some immense mounds covered by the drifting sand, where temples and palaces might be buried. Four miles off are tombs and rock temples excavated in the hill-side, but often entirely blocked up by sand. Wherever the new worship was portrayed, the sun's disk is represented above, with long rays reaching downwards, and each ending in a hand—the sign of divine protection; the hand often holds the symbol of life before the king.
The family life of Khu-en-aten is depicted more than once. In one group he is seen with his queen Nefer-tai and their young daughters, distributing gifts of honour at some festival. One little boy is there too, but he is too young to take part in the distribution, and is caressing his mother's face. Strong affection appears to have united the royal family, who doubtless felt their position a very isolated one. The prayers and praises, however, that are recorded as forming part of the new ritual, are very similar in tone and expression to those used in the customary worship. Prayer for the reigning sovereigns is frequent; on one festive
