real and living to us, being painted and sculptured in full detail on the walls of the Theban temples, and its chief episode is immortalised in the heroic poem of Pentaur. We see the Egyptian camp in the form of a square, with a temporary wall of enclosure, formed by piled up shields; servants are resting, asses are wandering about; there too is the lion of Rameses, the famous beast who accompanied him in his campaigns, and whose name was Semem-kheftu-ef: 'Tearer to pieces of his enemies.' The king's tent is seen, and near it is the shrine of the god. An inscription duly informs us: 'This is the first legion of Amen, who bestows victory on King Rameses. Pharaoh is with it. It is pitching its camp.'
Another picture gives us an important episode. The inscription tell us: 'This is the arrival of the spies of Pharaoh. They are bringing two spies of the Kheta before the king. They are beating them to make them declare where the king of the Kheta is.' For the plain fact was that the Egyptians were very much at a loss. Not long before two men had come into the camp, professing themselves to be leaders
