carried in procession with music, song, and universal rejoicings—queens and princesses deeming it an honour to take part, carrying the sistrum or musical instrument used in the service of the gods. As a rule the people probably were allowed only to enter the vast outer court, kings and priests alone penetrating to the interior recesses, where sacrifices were offered and incense ascended in clouds. Sublimity and mystery were the ideas expressed in these Egyptian temples,[1] with their vast halls and shrouded recesses. Comparatively little thought and care were expended on private residences, which were simple and unpretending. The poor were content if they had shelter from the heat and a place of storage for their goods. In the construction of the houses belonging to the richer classes the leading idea was still protection from the heat, so that the windows were small, and had wooden shutters. The walls inside were decorated with paintings, and even the outside was gaily tinted by this colour-loving people, who coloured
- ↑ In one hall, forming only a part of the temple in which it stands, the Cathedral of Notre Dame, at Paris, could stand without touching the walls!
