signs of greater freedom of treatment than prevailed at a later period, when the conventional rules, which no one ventured to infringe, had checked the progress of all true art by putting a stop to its free exercise. This following of a stereotyped pattern, combined with the absence of perspective, gives the Egyptian drawings a very odd and stiff appearance. The portraiture remained excellent, and much spirit was often shown in the drawing of animals and in humorous scenes; indeed, the manner in which, in hieroglyphic writing, the individual character of an animal or bird is given in a few minute lines is quite wonderful. The graceful outline of their pottery, the exquisite workmanship of their jewellery, show how much true artistic power was there, had it only been allowed free scope. But there never was a nation that clung so tenaciously to fixed laws and forms. Their monarchy, their religion, lasted unchanged as no other has yet done;[1] the very fashion of their dress varied but little with the centuries, and their magnificent temples were built and rebuilt on the same scheme. But
- ↑ We may, perhaps, except the Chinese.
