society, while he pointed out its principal ornaments and mentioned the painters and subjects. Miss Stackpole looked at the pictures in perfect silence, committing herself to no opinion, and Ralph was gratified by the fact that she delivered herself of none of the little ready-made ejaculations of delight of which the visitors to Gardencourt were so frequently lavish. This young lady, indeed, to do her justice, was but little addicted to the use of conventional phrases; there was something earnest and inventive in her tone, which at times, in its brilliant deliberation, suggested a person of high culture speaking a foreign language. Ralph Touchett subsequently learned that she had at one time officiated as art-critic to a Transatlantic journal; but she appeared, in spite of this fact, to carry in her pocket none of the small change of admiration. Suddenly, just after he had called her attention to a charming Constable, she turned and looked at him as if he himself had been a picture.
"Do you always spend your time like this?" she demanded.
"I seldom spend it so agreeably," said Ralph.
"Well, you know what I mean—without any regular occupation."
"Ah," said Ralph, "I am the idlest man living."
Miss Stackpole turned her gaze to the Constable again, and Ralph bespoke her attention for a small Watteau hanging near it, which represented a gentleman in a pink doublet and hose and a ruff, leaning against the pedestal of the statue of a nymph in a garden, and playing the guitar to two ladies seated on the grass.
"That's my ideal of a regular occupation," he said.
Miss Stackpole turned to him again, and though her eyes had rested upon the picture, he saw that she had not apprehended the subject. She was thinking of something much more serious.
