having spent a single day in it, she had expressed great disgust with the place, and had been allowed to stay at home, where in the September days, when the windows of the Dutch House were open, she used to hear the hum of childish voices repeating the multiplication table—an incident in which the elation of liberty and the pain of exclusion were indistinguishably mingled. The foundation of her knowledge was really laid in the idleness of her grandmother's house, where, as most of the other inmates were not reading people, she had uncontrolled use of a library full of books with frontispieces, which she used to climb upon a chair to take down. When she had found one to her taste—she was guided in the selection chiefly by the frontispiece—she carried it into a mysterious apartment which lay beyond the library, and which was called, traditionally, no one knew why, the office. Whose office it had been, and at what period it had flourished, she never learned; it was enough for her that it contained an echo and a pleasant musty smell, and that it was a chamber of disgrace for old pieces of furniture, whose infirmities were not always apparent (so that the disgrace seemed unmerited, and rendered them victims of injustice), and with which, in the manner of children, she had established relations almost human, or dramatic. There was an old haircloth sofa, in especial, to which she had confided a hundred childish sorrows. The place owed much of its mysterious melancholy to the fact that it was properly entered from the second door of the house, the door that had been condemned, and that was fastened by bolts which a particularly slender little girl found it impossible to slide. She knew that this silent, motionless portal opened into the street; if the sidelights had not been filled with green paper, she might have looked out upon the little brown stoop and the well-worn brick pavement. But she had no wish to look out, for this
