that she had about her herself, and often it was by no means the least agreeable. It was a perpetual implication of good intentions. She lost herself in a maze of visions; the fine things a rich, independent, generous girl, who took a large, human view of her opportunities and obligations, might do, were really innumerable. Her fortune therefore became to her mind a part of her better self; it gave her importance, gave her even, to her own imagination, a certain ideal beauty. What it did for her in the imagination of others is another affair, and on this point we must also touch in time. The visions I have just spoken of were intermingled with other reveries. Isabel liked better to think of the future than of the past; but at times, as she listened to the murmur of the Mediterranean waves, her glance took a backward flight. It rested upon two figures which, in spite of increasing distance, were still sufficiently salient; they were recognisable without difficulty as those of Caspar Goodwood and Lord Warburton. It was strange how quickly these gentlemen had fallen into the background of our young lady's life. It was in her disposition at all times to lose faith in the reality of absent things; she could summon back her faith, in case of need, with an effort, but the effort was often painful, even when the reality had been pleasant. The past was apt to look dead, and its revival to wear the supernatural aspect of a resurrection. Isabel moreover was not prone to take for granted that she herself lived in the mind of others—she had not the fatuity to believe that she left indelible traces. She was capable of being wounded by the discovery that she had been forgotten; and yet, of all liberties, the one she herself found sweetest was the liberty to forget. She had not given her last shilling, sentimentally speaking, either to Caspar Goodwood or to Lord Warburton, and yet she did not regard them as appreciably in her debt.
