while she went to make it known that there was a visitor for the dear young lady. The parlour was a vast, cold apartment, with new-looking furniture; a large clean stove of white porcelain, unlighted; a collection of wax-flowers, under glass; and a series of engravings from religious pictures on the walls. On the other occasion Isabel had thought it less like Rome than like Philadelphia; but to-day she made no reflections; the apartment only seemed to her very empty and very soundless. The portress returned at the end of some five minutes, ushering in another person. Isabel got up, expecting to see one of the ladies of the sisterhood; but to her extreme surprise she found herself confronted with Madame Merle. The effect was strange, for Madame Merle was already so present to her vision that her appearance in the flesh was a sort of reduplication. Isabel had been thinking all day of her falsity, her audacity, her ability, her probable suffering; and these dark things seemed to flash with a sudden light as she entered the room. Her being there at all was a kind of vivid proof. It made Isabel feel faint; if it had been necessary to speak on the spot, she would have been quite unable. But no such necessity was clear to her; it seemed to her indeed that she had absolutely nothing to say to Madame Merle. In one's relations with this lady, however, there were never any absolute necessities; she had a manner which carried off not only her own deficiencies, but those of other people. But she was different from usual; she came in slowly, behind the portress, and Isabel instantly perceived that she was not likely to depend upon her habitual resources. For her, too, the occasion was exceptional, and she had undertaken to treat it by the light of the moment. This gave her a peculiar gravity; she did not even pretend to smile, and though Isabel saw that she was more than ever playing a part, it seemed to
