well come to be a repetition of the attitude of the mediæval Church to the sagas and legends of the people, except that, in this case, it is the folk tales which will be preserved, and the more sensitive and civilized products banned. The only poet who seems to be much spoken of at present in Russia is one who writes rough popular songs. There are revolutionary odes, but one may hazard a guess that they resemble our patriotic war poetry.
I said that this state of affairs may in the long run be bad for art, but the contrary may equally well prove to be the truth. It is of course discouraging and paralysing to the old-style artist, and it is death to the old individual art which depended on subtlety and oddity of temperament, and arose very largely from the complicated psychology of the idle. There it stands, this old art, the purest monument to the nullity of the art-for-art's-sake doctrine, like a rich exotic plant of exquisite beauty, still apparently in its glory, till one perceives that the roots are cut, and that leaf by leaf it is gradually fading away.
But, unlike the Puritans in this respect, the Bolsheviks have not sought to dig up the roots, and there are signs that the paralysis is merely temporary. Moreover, individual art is not the only form, and in particular the plastic arts have shown
