it has been in being for a long time and belongs to tradition.
One may expect, therefore, that while the crafts in Russia will lose in artistic value, the drama, sculpture and painting and all those arts which have nothing to do with the machine and depend entirely upon mental and spiritual inspiration will receive an impetus from the Communist faith. Whether the flowering period will be long or short depends partly on the political situation, but chiefly on the rapidity of industrial development. It may be that the machine will ultimately conquer the Communist faith and grind out the human impulses, and Russia become during this transition period as inartistic and soulless as was America until quite recent years. One would like to hope that mechanical progress will be swift and social idealism sufficiently strong to retain control. But the practical difficulties are almost insuperable.
Such signs of the progress of art as it is possible to notice at this early stage would seem to bear out the above argument. For instance, an attempt is being made to foster the continuation of peasant embroidery, carving, &c., in the towns. It is done by people who have evidently lost the tradition already. They are taught to copy the models which are placed in the Peasant Museum, but there is no
