rather (and very loosely), by an invisible string, at the end of which he seemed gently to dangle and waver. His face was so smooth that his thin light whiskers, which grew only far back, scarcely seemed native to his cheeks: they might have been attached there for some harmless purpose of comedy or disguise. He looked for the most part as if he were thinking over, without exactly understanding it, something rather droll which had just occurred; if his eyes wandered his attention rested, and hurried, quite as little. His feet were remarkably small, and his clothes, in which light colours predominated, were visibly the work of a French tailor: he was an American who still held the tradition that it is in Paris a man dresses himself best. His hat would have looked odd in Bond Street or the Fifth Avenue, and his necktie was loose and flowing.
Mr. Dosson, it may further be mentioned, was a man of the simplest composition, a character as cipherable as a sum of two figures. He had a native financial faculty of the finest order, a gift as direct as a beautiful tenor voice, which had enabled him, without the aid of particular strength of will or keenness of ambition, to build up a large fortune while he was still of middle age. He had a genius for happy speculation, the quick, unerring instinct of a "good thing;" and as he sat there idle, amused, contented, on the edge of the Parisian street, he might very well have passed
