Parisian and inflammable member of the family, She was not reasonable but she was perceptive; she had imagination and humour and was capable of generosity and enthusiasm and even of infatuation. She had had her own infatuations and ought to allow for those of others. She would not like the Dossons superficially any better than his father or than Margaret or Jane (he called these ladies by their English names, but for themselves, their husbands, their friends and each other they were Suzanne, Marguerite and Jeanne); but there was a considerable chance that he might induce her to take his point of view. She was as fond of beauty and of the arts as he was; this was one of their bonds of union. She appreciated highly Charles Waterlow's talent and there had been a good deal of talk about his painting her portrait. It is true her husband viewed the project with so much colder an eye that it had not been carried out.
According to Gaston's plan she was to come to the Avenue de Villiers to see what the artist had done for Miss Francie; her brother was to have stimulated her curiosity by his rhapsodies, in advance, rhapsodies bearing wholly upon the work itself, the example of Waterlow's powers, and not upon the young lady, whom he was not to let her know at first that he had so much as seen. Just at the last, just before her visit, he was to tell her that he had met the girl (at the
