daughters of kings or ministers, courtesans, and wives of jesters, were skilled as poets, the capacity which brings about the ability to compose being a matter affecting the soul, and not, therefore, bound up with sex. To Rājaçekhara the ability to write poems is largely due to experiences in previous births, and he logically denies that sex can affect this. But though verses are cited from the poetesses in the anthologies, and not a few names are known, and Avantisundarī, Rājaçekhara's own wife, appears to have been an authority on poetics, it is certain that no drama of importance has come down to us which is written by a woman. The explanation for this would seem rather to lie in social conventions, as in Greece, for there is no reason to suppose that the clever women mentioned by Rājaçekhara, and doubtless not rare in the courts, could not have composed plays of merit.
