that I must pass the rest of my days the noseless object of pity and contempt. One of the stanzas ran thus:
De man who hold he nose too high
Mus' be brought low:
Put him on de grinstone
And grind him off slow.
Wheel about, and turn about,
And wheel about slow;
And every time he wheel about
De nose must go.
I was at no loss to recognize in this a parody on a popular ballad by James Crow, Esquire, very skilfully arranged for the piano-forte by Mr. Zephaniah Coon; and I despised my tormentors the more for their plagiarism and want of originality. At the end of each refrain the barbarians sent forth as a kind of supplementary chorus, shouts of laughter, which seemed to come from their very souls. It was none of your civilized ha ha's—nor your modish he he's—but the hearty, pectoral yeoh yeoh yeoh of the unsophisticated "nigger."
All this time my nose was gradually diminishing. The imp at the handle turned it slowly but steadily; the grasp upon my shoulders was firm, and the pressure upon my head was so heavy, that the inexorable stone was fast penetrating flesh, cartilage and bone, and reducing to a level the inequalities of my visage. This could not last forever; and at length I felt that the sacrifice had been consummated—the friction of the stone upon my cheeks, gave fearful evidence that what had been a nose, existed no longer, and brought the horrid reflection that I was noseless! That the pride of my countenance was gone, and forever!
The awful consciousness of my bereavement made me desperate, and strung up my sinews to a gigantic effort for freedom and revenge.—Suddenly the grasp upon my body was loosened, and as suddenly the agents and the instrument of my torment vanished.
I awoke, covered with perspiration and in a mortal tremor. The cabin was dark, and but for the snoring of my neighbors, I should not have known where I was. My nose was still suffering a most uncomfortable sensation, and I breathed with difficulty from some unknown obstruction. Although instantly aware that, to use the language of Molly Brown, I had merely "dreampt a dream," I instinctively lifted my hand to my face to reassure myself that my nose remained in undiminished amplitude and longitude. In searching for that interesting feature, I found that it was eclipsed and borne down by some weighty substance, which the sense of feeling soon informed me was the ponderous fist of my Kentucky neighbor, who had in shifting his position during his slumbers, unceremoniously thrust it into my face. I was cramped for room, and tugged to rid myself of the incumbrance, when its owner awoke.
"Halloo stranger!" said he, "you kick about like an eel out of water."
I explained to him the cause of my uneasiness, for which he briefly asked my pardon; and re-adjusting himself, again fell asleep. I could not follow his example, my mind being occupied in recalling the incidents and sensations of my dream, which fully engaged my thoughts until I was made aware, by the shouting and scampering upon deck, that we had reached New York.
And now for the moral which I promised my readers. It is this—Do not think too much of your nose—or hold it too high,—lest it should be brought to the grindstone in good earnest; and moreover, never sleep in a steam boat cabin, where men are planted, like Indian corn, in rows—if you can avoid it.
MORELLA—A TALE.
BY EDGAR A. POE.
Auto kath' auto meth' autou, mono eides aei on.
Itself—alone by itself—eternally one and single.
With a feeling of deep but most singular affection I regarded my friend Morella. Thrown by accident into her society many years ago, my soul, from our first meeting, burned with fires it had never known—but the fires were not of Eros—and bitter and tormenting to my eager spirit was the gradual conviction that I could in no manner define their unusual meaning, or regulate their vague intensity. Yet we met: and Fate bound us together at the altar: and I never spoke of love, or thought of passion. She, however, shunned society, and, attaching herself to me alone, rendered me happy. It is a happiness to wonder. It is a happiness to dream.
Morella's erudition was profound. As I hope to live, her talents were of no common order—her powers of mind were gigantic. I felt this, and in many matters became her pupil. I soon, however, found that Morella, perhaps on account of her Presburg education, laid before me a number of those mystical writings which are usually considered the mere dross of the early German literature. These, for what reasons I could not imagine, were her favorite and constant study: and that in process of time they became my own, should be attributed to the simple but effectual influence of habit and example.
In all this, if I err not, my reason had little to do. My convictions, or I forget myself, were in no manner acted upon by my imagination, nor was any tincture of the mysticism which I read, to be discovered, unless I am greatly mistaken, either in my deeds or in my thoughts. Feeling deeply persuaded of this I abandoned myself more implicitly to the guidance of my wife, and entered with a bolder spirit into the intricacy of her studies. And then—then, when poring over forbidden pages I felt the spirit kindle within me, would Morella place her cold hand upon my own, and rake up from the ashes of a dead philosophy some low singular words, whose strange meaning burnt themselves in upon my memory: and then hour after hour would I linger by her side, and dwell upon the music of her thrilling voice, until at length its melody was tinged with terror and fell like a shadow upon my soul, and I grew pale, and shuddered inwardly at those too unearthly tones—and thus Joy suddenly faded into Horror, and the most beautiful became the most hideous, as Hinnon became Ge-Henna.
It is unnecessary to state the exact character of these disquisitions, which, growing out of the volumes I have mentioned, formed, for so long a time, almost the sole conversation of Morella and myself. By the learned in what might be termed theological morality they will be readily conceived, and by the unlearned they would, at all events, be little understood. The will Pantheism of
