Raspe, and that the German work was merely a free translation made by Bürger from the fifth edition of the English work. Bürger, he stated, was well aware of, but was too high-minded to disclose the real authorship.
Taking Reinhard's solemn asseveration in conjunction with the ascertained facts of Raspe's career, his undoubted acquaintance with the Baron Munchausen of real life and the first appearance of the work in 1785, when Raspe was certainly in England, there seems to be little difficulty in accepting his authorship as a positive fact. There is no difficulty whatever, in crediting Raspe with a sufficient mastery of English idiom to have written the book without assistance, for as early as January 1780 (since which date Raspe had resided uninterruptedly in this country) Walpole wrote to his friend Mason that "Raspe writes English much above ill and speaks it as readily as French," and shortly afterwards he remarked that he wrote English "surprisingly well." In the next year, 1781, Raspe's absolute command of the two languages encouraged him to publish two moderately good prose-translations, one of Lessing's "Nathan the Wise," and the other of Zachariae's Mock-heroic, "Tabby in Elysium." The erratic character of the punctua-
