A HISTORY OF SURREY
��but is entirely of 14th-century date, with a straight- sided rear-arch. Its sill is carried down lower than that of the south-east window.
Between these two windows is a blocked door- way apparently of 13th-century date, having plain chamfered jambs and a two-centred arch, and below the south-east window is a double piscina of 1 3th- century date with stop-chamfered jambs and two tre- foiled arches; one drain is a quatrefoil and the other circular, but the projecting portions of both have been broken off. To the west is a single seat, the sides of which run up to the window-sill above.
The chancel arch is of 13th-century date and has semicircular responds with moulded bases and capitals, and the two-centred arch is of two chamfered orders. To the north of it is the upper entrance to the rood loft, and below are the remains of a i;th-century canopied niche hacked^off almost flush with the wall face, but still showing the mark of the dowel which kept the image in position.
The three-light east window of the north chapel is modern, and to the south of it has been set a fine
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���ScaUe-cf-feet PLAN OF OCKHAM CHURCH
15th-century niche from the old east wall of the aisle. It has a projecting base elaborately carved with foliage, shafted jambs with moulded capitals
T and bases, and a large canopy with crocketed gables and pinnacles. The north window of the chapel is also modern, and has two trefoiled lights with tracery in a square head. To the west of it is a small modern doorway.
The north arcade of the nave is of two wide bays, the arches and the capitals of the responds being in chalk, while the pillar, the responds, and the capital of the pillar are of sandstone. The pillar is circular with a simply moulded base and capital and semicircular res- ponds to match, the base of the west respond being at a higher level than the rest. The arches are two-centred, with a springing line a little below the capitals, of two .chamfered orders, the labels having the hawk's-bill moulding characteristic of early 1 3th-century work. There are marks of screens in both bays, showing that the aisle was partitioned off from the nave, and the
label of the eastern arch has been cut away for the rood loft. In the south wall of the nave are two mid- I4th-century windows of three cinquefoiled lights, with flowing double-cusped tracery, and double-
��chamfered jambs with a moulded label which stops on grotesque faces.
Below the sill of the south-east window is a 15th- century piscina with moulded jambs and cinquefoiled ogee head, the projecting portion of its drain having been cut away, and at the west end of the south wall is a small blocked four-centred doorway coeval with the tower.
The west and only window of the north aisle is modern, and has three trefoiled lights with tracery over under a square head. The north doorway is also modern, opening to a shallow porch, but to the west of it the jamb of an older opening shows in the wall. The 18th-century tomb-chamber already referred to is immediately to the east of the doorway, and opens to the aisle by a round-headed arch. It has a vaulted plaster ceiling springing from pilasters at the angles, and is lighted from the west, with blank recesses on the north and east. Against the north wall is set the white marble monument of Peter first Lord King, 1734, with life-size figures of himself and his wife seated with an urn between them.
A 15th-century doorway with moulded jambs and a two-centred arch under a square head opens from the tower to the nave, with a very tall round-headed rear arch towards the nave. The whole seems to be of the date of the tower, but the lower parts of the wall on either side are possibly older.
The tower is of three stages, with an embattled parapet, and a rectangular stair-turret at the south- east. In each face of the top stage is a square-headed window of two cinquefoiled lights, and in the middle stage a west window of two cinquefoiled lights; the west door- way below is of plain 15th-century character.
The chancel has a modern boarded ceiling; but the east bay of the nave roof and the whole of that of the north aisle are of 15th-century date, with canted panels framed by moulded ribs ornamented at their inter- sections with carved bosses. These take the form of single roses in the aisle, but in the nave they are more elaborate, and include fleurs de lis, Staf- ford knots, &c. The panels are all painted with a running zigzag pattern on a dark ground, now much faded. The rest of the nave roof is old, but has no panelling or ornament. The east wall of the nave round the chancel arch from the floor of the rood loft to the tie-beam retains a great deal of 15th-century colouring, with a pattern of flowers on a red ground, and traces of colour also remain on the back of the mutilated canopy at the north-east of the nave. On the west wall of the nave, to the south of the doorway to the tower, is painted a line of trefoiled arches, which seems of 14th-century character, though the small corbelled shafts from which they spring suggest a later date.
The font now in use is modern, but placed in the chancel are the remains of one of early 13th-century date, consisting of a circular Purbeck-marble stem on a square base-stone, on which are the moulded bases of four detached shafts. In the tracery of the south-
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