in the nineteenth century. It was a more unquestionable benefit than these: and in that development women played a peculiar part, English women especially, and Victorian women most of all.
It is perhaps partly, though certainly not entirely, this influence of the great women writers that explains another very arresting and important fact about the emergence of genuinely Victorian fiction. It had been by this time decided, by the powers that had influence (and by public opinion also, at least in the middle-class sense), that certain verbal limits must be set to such literature. The novel must be what some would call pure and others would call prudish; but what is not, properly considered, either one or the other: it is rather a more or less business proposal (right or wrong) that every writer shall draw the line at literal physical description of things socially concealed. It was originally merely verbal; it had not, primarily, any dream of purifying the topic or the
