passage in which Pater's style takes a holiday or in which his wisdom plays the fool. Newman and Ruskin were as careful and graceful stylists as he. Newman and Ruskin were as serious, elaborate, and even academic thinkers as he. But Ruskin let himself go about railways. Newman let himself go about Kingsley. Pater cannot let himself go for the excellent reason that he wants to stay: to stay at the point where all the keenest emotions meet, as he explains in the splendid peroration of The Renaissance. The only objection to being where all the keenest emotions meet is that you feel none of them.
In this sense Pater may well stand for a substantial summary of the esthetes, apart from the purely poetical merits of men like Rossetti and Swinburne. Like Swinburne and others he first attempted to use mediæval tradition without trusting it. These people wanted to see Paganism through Christianity: because it was involved though the incidental amusement
