the Boy's Own Paper; or to his deep, suggestive metaphysical friend Maurice, who floats rather towards The Hibbert Journal. The moral and social influence of these things is not to be forgotten: but they leave the domain of letters. The voice of Carlyle is not heard again in letters till the coming of Kipling and Henley.
One other name of great importance should appear here, because it cannot appear very appropriately anywhere else: the man hardly belonged to the same school as Ruskin and Carlyle, but fought many of their battles, and was even more concentrated on their main task—the task of convicting liberal bourgeois England of priggishness and provinciality. I mean, of course, Matthew Arnold. Against Mill's "liberty" and Carlyle's "strength" and Ruskin's "nature," he set up a new presence and entity which he called "culture," the disinterested play of the mind through the sifting of the best books and authorities. Though a little dandified in
