any good dispositions in me they have hitherto wanted a fixed point, but now there is a firm hook upon which I can hang my pictures. With the help of Goethe and good luck I will so paint that, if possible, the next generation shall say he too was a painter!" And from this time forward there seems to have been a decisive change in him; though he does complain of the "taciturnity of his Herr Kammerpräsident " (Goethe), who is only to be drawn out by the present of an engraving. In truth, this Kammerpräsident is very much oppressed with work, and lives in great seclusion, happy in love, active in study. The official duties, which formerly he undertook so gaily, are obviously becoming burdens to him, the more so now his mission rises into greater distinctness. The old desire for Italy begins to torment him. "The happiest thing is, that I can now say I am on the right path, and from this time forward nothing will be lost."
In his poem "Ilmenau," written in this year, Goethe vividly depicts the character of the duke, and the certainty of his metamorphosis. Having seen how he speaks of the duke, in his letters to the Frau von Stein, it will gratify the reader to observe that these criticisms were no "behind the back" carpings, but were explicitly expressed even in poetry. "The poem of Ilmenau," Goethe said to Eckermann, "contains in the form of an episode an epoch which in 1783, when I wrote it, had happened some years before; so that I could describe myself historically and hold a conversation with myself of former years. There occurs in it a night scene after one of the breakneck chases in the mountain. We had built ourselves at the foot of a rock some little huts, and covered them with fir branches, that we might pass the night on dry ground. Before the huts we burned several fires and cooked our game. Knebel, whose pipe was never cold, sat next to the fire, and enlivened the company with his
