comes by them; yet I shall, for method's sake, though briefly, give an account of some few more, and then proceed to more complex ideas.
§ 2. To slide, roll, tumble, walk, creep, run, dance, leap, skip, and abundance of others that might be named, are words which are no sooner heard but every one, who understands English, has presently in his mind distinct ideas, which are all but the different modifications of motion. Modes of motion answer those of extension: swift and slow are two different ideas of motion, the measures whereof are made of the distances of time and space put together; so they are complex ideas comprehending time and space with motion.
Modes of sounds.§ 3. The like variety have we in sounds. Every articulate word is a different modification of sound: by which we see, that from the sense of hearing, by such modifications, the mind may be furnished with distinct ideas to almost an infinite number. Sounds also, besides the distinct cries of birds and beasts, are modified by diversity of notes of different length put together, which make that complex idea called a tune, which a musician may have in his mind when he hears or makes no sound at all, by reflecting on the ideas of those sounds so put together silently in his own fancy.
Modes of colours.§ 4. Those of colours are also very various: some we take notice of as the different degrees, or, as they are termed, shades of the same colour. But since we very seldom make assemblages of colours either for use or delight, but figure is taken in also and has its part in it, as in painting, weaving, needle-works, Sec. those which are taken notice of do most commonly belong to mixed modes, as being made up of ideas of divers kinds, viz. figure and colour, such as beauty, rainbow, &c.
Modes of taste.§ 5. All compounded tastes and smells are also modes made up of the simple ideas of those senses. But they being such as generally we
