the antagonist of Tasso was not disappointed in the reception given to his criticism; he was called to the court of Ferrara, where, having endeavoured to heighten his claims to favour, by panegyrics on the family of his sovereign,[1] he was in turn abandoned, and expired in neglected poverty. The opposition of the Cruscans was brought to a close in six years after the commencement of the controversy; and if the Academy owed its first renown to having almost opened with such a paradox,[2] it is probable that, on the other hand, the care of his reputation alleviated rather than aggravated the imprisonment of the injured poet. The defence of his father and of himself, for both were involved in the censure of Salviati, found employment for many of his solitary hours, and the captive could have been but little embarrassed to reply to accusations, where, among other delinquencies, he was charged with invidiously omitting, in his comparison between France and Italy, to make any mention of the cupola of St. Maria del Fiore at Florence.[3] The late biographer of Ariosto seems as if willing to renew the controversy by doubting the interpretation of Tasso's self-estimation[4] related in Serassi's life of the poet. But Tiraboschi had before laid that rivalry at rest,[5] by showing that between Ariosto and Tasso it is not a question of comparison, but of preference.
11.
The lightning rent from Ariosto's bust
The iron crown of laurel's mimicked leaves.
Before the remains of Ariosto were removed from the Benedictine church to the library of Ferrara, his bust, which
- ↑ Orazioni funebri ... delle lodi di Don Luigi Cardinal d'Este ... delle lodi di Donno Alfonso d'Este. See La Vita, lib. iii. p. 117.
- ↑ It was founded in 1582, and the Cruscan answer to Pellegrino's Caraffa, or Epica poesia, was published in 1584.
- ↑ "Cotanto, potè sempre in lui il veleno della sua pessima volontà contro alla Nazion Fiorentina." La Vita, lib. iii. pp. 96, 98, tom. ii.
- ↑ La Vita di M. L. Ariosto, scritta dall' Abate Girolamo Baruffaldi Giuniore, etc. Ferrara, 1807, lib. iii. p. 262. (See Historical Illustrations, etc., p. 26.)
- ↑ Storia della Lett., Roma, 1785, tom. vii. pt. iii. p. 130.
is referred to Historical Illustrations of the IVth Canto of Childe Harold, p. 5, and following.
