Page:The Works of Lord Byron (ed. Coleridge, Prothero) - Volume 4.djvu/109

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MONODY ON THE DEATH OF SHERIDAN.
75

To mourn the vanished beam, and add our mite
Of praise in payment of a long delight100
Ye Orators! whom yet our councils yield,
Mourn for the veteran Hero of your field!
The worthy rival of the wondrous Three![1]
Whose words were sparks of Immortality!
Ye Bards! to whom the Drama's Muse is dear,
He was your Master—emulate him here!
Ye men of wit and social eloquence![2]
He was your brother—bear his ashes hence!
While Powers of mind almost of boundless range,[3]
Complete in kind, as various in their change,110
While Eloquence—Wit—Poesy—and Mirth,
That humbler Harmonist of care on Earth,
Survive within our souls—while lives our sense
Of pride in Merit's proud pre-eminence,
Long shall we seek his likeness—long in vain,
And turn to all of him which may remain,
Sighing that Nature formed but one such man,
And broke the die—in moulding Sheridan![4]

  1. Fox—Pitt—Burke. ["I heard Sheridan only once, and that briefly; but I liked his voice, his manner, and his wit: he is the only one of them I ever wished to hear at greater length."—Detached Thoughts, 1821, Letters, 1901, v. 413.]
  2. ["In society I have met Sheridan frequently: he was superb!... I have seen him cut up Whitbread, quiz Madame de Staël, annihilate Colman, and do little less by some others ... of good fame and abilities.... I have met him in all places and parties,... and always found him very convivial and delightful."—Ibid., pp. 413, 414.]
  3. ["The other night we were all delivering our respective and various opinions on him,... and mine was this:—'Whatever Sheridan has done or chosen to do has been, par excellence, always the best of its kind. He has written the best comedy (School for Scandal), the best drama (in my mind, far before that St. Giles's lampoon, the Beggar's Opera), the best farce (the Critic—it is only too good for a farce), and the best Address ('Monologue on Garrick'), and, to crown all, delivered the very best Oration (the fomous Begum Speech) ever conceived or heard in this country.'"—Journal, December 17, 1813, Letters, 1898, ii. 377.]
  4. [It has often been pointed out (e.g. Notes and Queries, 1855, Series I. xi. 472) that this fine metaphor may be traced to Ariosto's Orlando Furioso, The subject is Zerbino, the son of the King of Scotland—

    "Non è vu si bello in tante altre persone:
    Natura il fece e poi ruppe la stampa."

    Canto X. stanza lxxxiv. lines 5, 6.]